Read online, or download in DRM-free ePub (digitally watermarked) format. master pianist Hal Galper also shows how get that feeling of forward motion and . Read online, or download in DRM-free EPUB format. in DRM-free EPUB format ; Title: Forward Motion; Author: SHER Music; Hal Galper; Imprint: Sher Music. Hal Galper. Forward Motion Hal Galper. The same notes can sound square or swinging, depending on how the music is phrased. This revolutionary book shows.
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Forward Motion by Hal Galper PDF, ePub eBook D0wnl0ad. The same notes can sound square or swinging, depending on how the music is. RHYTHMIC FORWARD MOTION by Hal Galper PDF Version To understand the Bach to Bebop: A. PDF File Size: Mb. ePub File Size: Mb. ISBN. Home · Hal Galper Forward Motion. Hal Galper Forward Motion. Click the start the download. DOWNLOAD PDF. Report this file. Description. How to improvise in.
So , it is good for you because of not hesitating having this ever again or you going to regret it. This unique book will give you a lot of positive aspects than the other book get such as help improving your skill and your critical thinking technique. So , still want to hold off having that book? If I were you I will go to the book store hurriedly. Alexander Pridmore: As we know that book is essential thing to add our expertise for everything. By a book we can know everything we would like.
A book is a pair of written, printed, illustrated or maybe blank sheet.
Every year was exactly added. This reserve Forward Motion was filled regarding science. Spend your free time to add your knowledge about your research competence.
Some people has distinct feel when they reading the book.
If you know how big benefit of a book, you can sense enjoy to read a e-book. The ears need certain information to work properly.
FM exercises train you to hear and play toward Approaches last notes the Target Notes from succedingly longer distances. Approaches can be extended to almost any length. The notes on "one" and "three" of the bar are Target Notes circled. Before you can approach at Target Note you must be able to hear it in advance. To do this you must give your ear the right information by playing the target note first.
This gives your ear a place to go to. You also need to give the ear some logic to work with. The Target Notes move in a manner that you are familiar with, in a logical progression.
You get a clear and logical idea of where your scales going your series of Target Notes since each succeeding last note is a scale step higher or lower than the preceding one.
Play the series of target notes first the ascending scale line to place them in your ear, then try to Approach each Target Note from one scale tone above. Your ear may run out of FM half way through the exercises. In this case, start simpler. Play the first Target Note, at the same time singing it in your head not outloud!
Do the same for each succeeding scale tone. Once you can do this, play the Target Note Melody, while singing it your head, then see if you can play all the approaches and their target notes in tempo, without stopping or pausing.
If you make a mistake in any of these exercises, don't just repeat the phrase thoughtlessly.
The exercise itself is important but the process of playing the last note first, giving your ear a place to go toward, is the most important aspect of all. Putting the target note in your ear will let your ear work for you. Without thinking about it, the ear will carry the approach to it. Mon, Nov 27, AM fwdmot2.
To check if you are hearing ahead, tape yourself while practicing. One of the tests that will tell you that you are not playing in FM yet is the tendency to accent the first note of an Approach, even if it is on an up beat. This is habit is learned from always starting melodies on the first beat of the bar.
This beat has a natural emphasis built into it that tends to carry over into your FM practicing. If you're still accent the first note, you're not hearing ahead.
Another habit that shows you're not hearing ahead is pausing before you hit the Targert Note. That shows that the Target Note is not in your ear as a place to go toward. Don't play these exercises using your intellectual memory.
Try to play them by ear, using your auditory memory. Select your exercise and play without looking at the paper! This forces you to use your ear.
If, as in the example above, you have difficulty in hearing the interval between the Target Note and the first note of the next approach, it's because the sound of the interval is not in your ear.